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“Horus, Horus, blessed by the star, infused by the sun”

The Hanging Girl

“Horus, Horus, blessed by the star, infused by the sun” is a communal invocation in the sunrise gathering led by Atu Abanshamash Dumuzi. Its decisive significance lies in its two-part movement: the congregation voices a devotion to a sun-associated divine figure, while Atu’s subsequent teaching warns against assigning gods a supposedly real existence. The expression therefore belongs both to the ceremony’s language of worship and to a scene that qualifies how that worship should be understood.

Place in the Sunrise Gathering

The chant comes after the assembly has greeted the sun with outstretched arms, held the pose, breathed deeply twelve times, and moved their hands down over their bodies. Atu has also addressed the congregation in the language of mutual recognition and readiness. The physical sequence makes the response part of a coordinated practice rather than an isolated slogan: bodies, breath, speech, and the morning setting are brought into the same ritual frame.

Immediately before the invocation, Atu connects the day’s light to a calendar and to its surroundings. He identifies it as the one hundred and thirty-first day of the year, says daylight has increased by nine hours and twenty-two minutes, and notes that the full moon will rise three days later. He also points to flowering helianthemum, potentillas, and orchids, alongside green beans, onions, and cucumbers in the greenhouses, with new potatoes and asparagus expected soon. His appeal for gratitude thus gathers celestial cycles and ordinary cultivation into the setting for the congregation’s answer.

Form and Collective Meaning

The congregation speaks the expression “with one voice.” Its doubled address to Horus gives the line the shape of an invocation, while the paired images of a star’s blessing and the sun’s infusion bring stellar and solar language together. The phrase does not stand alone: the assembly continues by offering service, promising to follow and worship the path, and invoking comfort for descendants. The chant consequently opens into a declaration of shared allegiance and continuity across generations.

The response also speaks of preparing for the sun’s hibernation and remembering the reason for its presence. Within this ritual language, the sun is not only the object of present greeting; its anticipated withdrawal gives the congregation a future duty of remembrance. The expression’s force comes partly from that placement: it is the compact invocation at the center of a larger pledge about service, following, memory, and readiness.

Atu’s Qualification and Narrative Function

The congregation stops as suddenly as it began, in a manner described as customary. Atu then turns from the assembly’s devotional language to a caution: a guiding star may be followed, but people should beware of granting the gods a so-called existence. He instead urges awareness of human ignorance about the universal, attention to immediate surroundings, and humility within the company of others. The scene places the chant beside a distinction between ritual devotion and literal claims about divinity; it does not resolve that distinction by dismissing the ceremony.

That transition gives the expression a deliberately layered role. The assembly’s words affirm worship and service, while Atu’s following instruction redirects attention toward nature, modesty, and human limits. The chant thus helps establish the gathering’s collective identity, but its meaning is shaped by what follows: solar reverence is voiced publicly, then situated within a teaching that resists certainty about the gods. The phrase joins ceremonial intensity to that qualification without erasing either.